Side One, Track One

Praise be to Sweet Zombie Jeebus! Thank Godaroo! After a week of being unable to form this article I've had a "Eureka!" moment. Unlike Archimedes I wasn't in the bath, (nor was I changing the world with my discovery but hey) I was playing some riffs on my guitar and started playing Sleepflower by Manic Street Preachers. It's the opening track to their second album, Gold Against The Soul, and begins with a lone guitar playing and infectious riff that sets the theme for the track. After a couple of repetitions it's joined by the bass playing the same and Sean Moore's typical tub thumping and the track comes to life. As an album opener it is one of my favourites as it never fails to get the volume cranked up and my head bobbing. As with most tracks on this list it's not the best by the band but it is a great example of the phenomenon that is the "side one, track one."

All albums need to start somewhere, somehow and the choice of first track sometimes be the difference between an album's residency on your ipod and being confined to the back of the cupboard with cassette singles from the '90's. As with all music there's no rules. Some great first track begin with a bang, some whimper into life, some just start and some don't exist at all. Before I continue I want to share some notable exceptions to the rule, great album, shit opener. Frankly anything that labels Track 1 "Intro" falls into this category just for being pointless (eg. Limp Bizkit - Significant Other) to feeling like it was cut from a track to create a single (Muse - Absolution). An "Intro" track just means none of the real songs on your album have enough impact to grab attention or that you're more worried about the singles than the album as a whole. The other type of exception is when a fully fledged opening track just doesn't cut the mustard. Finelines by My Vitriol is an amazing album but is begins with an instrumental track which builds into first track proper, Always: Your Way, (Smashing Pumpkins's Meloncholy And The Infinite Sadness does the same) and as such stunts the appeal of that track. In both examples the first track is very good and enjoyable but only really works in context and as such cannot be considered for this list.

So to the list. I have chosen 10 notable examples of what I consider to be great album openers. There are better tracks out there by these artists but as the first track to the album they grace the grab your attention, set the mood and give you a taste of what to expect. So fire up your music source of choice, find these tracks and enjoy:

1. "Awakening" by The Reasoning from Awakening
The album is a modern prog rock odyssey and this opener sets you up brilliantly. Initially sounding like an extract from Tubular Bells you'll have to wait 20 seconds or so before the over-driven guitars and melodic riffing begins. About 1 minute in the vocals start and you'll begin to see where this is going. Clocking in at 6:49 it's quite and opening statement for any album let alone a debut but as it weaves it's way through various styles it won't disappoint. At 4:22 we're treated to a true welsh rock solo which could easily belong to our next band....
2. "Sleepflower" by Manic Street Preachers from Gold Against The Soul
As I said before this is the track that switched on the light-bulb for this article. If the opening riff isn't enough to hook you then James Dean Bradfield in full rock mode will. It's not the most well regarded track from the album, over shadowed by La Tristesse Durera (Scream to a Sigh), but it is a worthy opener containing as it does all the elements of the album to come and seamlessly setting up single From Despair To Where.
3. "Everyone's At It" by Lily Allen from It's Not Me, It's You
Ms Allen's thoughts on drug abuse open her second album and does so in style. Splashy cymbals and a constant kick drum on 8th beats fade in with rising sirens and a simple vocal melody that promises something special. If you know Lily Allen's work then you'll not be surprised by the rest of the track which stands up strongly against the three singles the follow.
4. "Showdown" by Pendulum from In Silico
The third opener from a difficult sophomore album in this case begins with the same splashy cymbals and driving kicks of the last track but with Rob Swire's vocal from the off. As it builds, layer by layer, a solid drum and bass influenced rocker emerges and sets up what proved to be a divisive album for fans. Regardless of what your opinion is Showdown makes this list for it's no nonsense approach that just gets things rolling.
5. "Pornography For Cowards" by Million Dead from A Song To Ruin
Who needs intros? For a their debut album Million Dead simple play the blister riff from the opener twice and scream. In less than 10 seconds you'll be rushing as if down the first big hill on a rattling, old roller-coaster...in and earthquake...headed straight to hell. And what a roller-coaster it is. At 30 seconds you're soring towards daylight again, 1:00 and you're rushing around corners build speed before the beginning of the end at 1:27 as you hurtle inevitably towards a wall. It's a musical rush that blows away the cobwebs and encourages you to "gird up your loins" ready for what follows.
6. "Needled 24/7" by Children Of Bodom from Hate Crew Deathroll
As with all power metal there's a lot going on from the opening chord stabs and any song the offers a solo within 20 seconds is a winner in my book, but what qualifies this for my list is it's accessibility. Children Of Bodom are hardly the most listener friendly of bands but the opener for their forth album is a catchy tour de force which will encourage you to dance along in a similar way to the best Dragonforce tracks. Not bad going for a band named after a triple murder from 1960.
7. "You Held the World In Your Arms" by Idlewild from The Remote Part
When your first track on the album is going to be a single and contains anthemic guitars, strings, driving drums and drunken shout along lyrics then you don't need an intro. A simple snare hit prepares you for the opening riff which hits full force and starts an album made by a band at the height of their powers. Three of the album's four singles are the first three tracks and this punchy start gives you everything you need except a chance to adjust the volume.
8. "Torn" by Creed from My Own Prison
When beginning an introspective album such as this bombast isn't necessarily right. There's no need to raise the pulse or get people dancing and the opening arpeggios of "Torn" do precisely the opposite. Scott Stapp's mournful vocals cut through beautifully as the track gets going and the grungy guitars reassure you that there's rock to come. By the time the track strips back to those arpeggios for the outro you'll be in no doubt what you are listening to and probably be nestled into a comfy chair clutching your favourite teddy.
9. "Did You Miss Me?" by The Cooper Temple Clause from See This Through And Leave
If you could capture the sound of my tinnitus it would be something close to the high note that rings through the first 2 minutes of this schizophrenic, electronic, noisy bastard of a track. It's got a face only a mother can love and will leave you feeling uncomfortable and slightly shaken before you realise it's actually a friend for life if only you can get past the hideousness of it all.
10. "Invaders Must Die" by The Prodigy from Invaders Must Die
If you're going to start an album with the title track it had better be a doozy. If you are a band going back to your roots it's doubly important. A simple bass riff fades in and after 49 seconds it hits. All the classic elements are there and any apprehension fades away as the music brings you up almost as much as the drugs (that you are most definitely not on!)

There you have it, 10 great tracks that begin varying quality albums that range from good to amazing. Have a listen and see what you think.
Cheers,
R.